Partitions Numériques de Thomas Ling pour Saxophone Tenor et Piano

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Thomas Ling
Non classifié 703

Piano & claviers
Piano seul 88
Piano, Voix 27
Piano Facile 27
Piano, Voix et Guitare 10
Orgue 7

Piano Quatuor: piano, violon, alto, violoncelle 2
Piano grosses notes 1
1 Piano, 4 mains 1
2 Pianos, 4 mains 1
Instruments en Do 1

+ 5 instrumentations

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Guitares
Guitare notes et tablatures 7
Guitare 3
Ligne De Mélodie, (Paroles) et Accords 1
Ukulele 1

Voix
Chorale SATB 12
Chorale TTBB 6
Chorale 3 parties 6
Chorale SSAA 2
Chorale 2 parties 1

Vents
Saxophone (partie séparée) 14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 13
Quintette de Saxophone: 5 saxophones 11
Quatuor de Saxophones: 4 saxophones 10
Quintette de Clarinettes: 5 clarinettes 9

Hautbois, Piano (duo) 8
Clarinette (partie séparée) 7
Flûte, Hautbois, Clarinette, Basson 5
Saxophone Alto 4
Quatuor de Clarinettes: 4 clarinettes 4
Saxophone Alto et Piano 3
Flute (partie séparée) 2
Saxophone Tenor et Piano 2

Hautbois (partie séparée) 2
Quintette de Flûte : 5 flûtes 1
3 Saxophones (trio) 1
Quatuor de Flûtes à bec 1
2 Saxophones (duo) 1
Hautbois 1
Saxophone Soprano et Piano 1
Flûte traversière et Piano 1
2 Flûtes traversières (duo) 1
Ensemble de saxophones 1

+ 18 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 12
Trombone (partie séparée) 7
Trompette (partie séparée) 5
Quatuor de Cuivres: 2 trompettes, Cor, trombone 3
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2

Trio de Cuivres 1
Tuba ou Euphonium ou Saxhorn 1
Quatuor de Cuivres 1
Cor 1
Tuba (partie séparée) 1

+ 5 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 50
Violon et Piano 12
Violon 11
Trio à Cordes: violon, alto, violoncelle 9
Violon, Alto (duo) 3

Violoncelle, Contrebasse (duo) 3
Violoncelle (partie séparée) 3
Violon, Violoncelle (duo) 3
Violoncelle, Piano 3
Quintette à cordes: 2 violons, alto, violoncelle, basse 2
Harpe 2
Harpe, Voix 1
Alto, Piano 1
Violon, Guitare (duo) 1
Alto (partie séparée) 1
2 Violons (duo) 1
Alto seul 1
4 Violoncelles 1
Contre Basse 1

+ 14 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 24
Orchestre à Cordes 23
Orchestre 12
Fanfare 5
Ensemble Jazz 5

Percussion (partie séparée) 4
Ensemble de cuivres 3
Batterie 1
Cloches 1
Timbales 1
Percussion 1

+ 6 instrumentations

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Artistes :
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Thomas Ling

Saxophone Tenor et Piano

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2 partitions trouvées

Feelings (?dime?)

Feelings (?dime?) #Saxophone Tenor et Piano #FACILE #Julio Iglesias #Kaiserin Rebecca #Feelings #Kaiserin Rebecca #

Piano,Tenor Saxophone - Level 2 - SKU: A0.1186986 By Julio Iglesias. By Louis Gaste, Morris Albert, and Thomas Fundora. Arranged by Kaiserin Rebecca. Co...(+)

Piano,Tenor Saxophone - Level 2 - SKU: A0.1186986 By Julio Iglesias. By Louis Gaste, Morris Albert, and Thomas Fundora. Arranged by Kaiserin Rebecca. Contemporary,Instructional,New Age,Pop. Score and part. 3 pages. Kaiserin Rebecca #786614. Published by Kaiserin Rebecca (A0.1186986). For tenor saxophone solo and piano accompaniment with chords.Key: G minor.Â Duration: 1'43.

$8.99 ≈ 8.38€

Bach: Wachet auf for Tenor Sax & Piano

Bach: Wachet auf for Tenor Sax & Piano #Saxophone Tenor et Piano #FACILE #Classique #Johann Sebastian Bach #James M # #Bach: Wachet auf for Tenor Sax #jmsgu3 #

Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...(+)

Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives â€“ in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hÃ¶rt die WÃ¤chter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six SchÃ¼bler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.

$24.95 ≈ 23.25€

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